The instruments played
in a typical Pipe Band are Bagpipes, Side Drums, Tenor Drums, and Bass
Drums. Ideally, there are about twice as many Pipers as Drummers;
for example, a typical band might have 12 Pipers, 4 Side Drummers, 2 Tenor
Drummers, and 1 Bass Drummer.
2. Why do you guys
march so slowly?
The traditional Pipe Band
marching tempo is about 80-88 beats per minute. This is taken from
some of the older military bands such as the Fife and Drum Corps which
also march at this tempo. In the late 18th and early 19th centuries,
roads were not as good as they are today and faster marching tempos were
usually not practical. The music has been adapted to this older tempo
and it is mostly too complex to be played properly at what is nowadays
considered to be a typical marching tempo, which ranges from about 100-120
beats per minute. If you ever visit some place like Colonial Williamsburg
you will hear the Fifes and Drums playing at tempos very similar to those
of a Pipe Band. But Pipe Bands do play at faster tempos as well,
when playing dance music.
3. Why do the drummers
in some bands wear checked hats and the pipers wear plain?
In some regiments of the
the British Army, the Pipers were personal employees of the Commander of
the Regiment rather than the Crown, while the Drummers were always soldiers
employed by the Crown. The soldiers employed by the Crown wore the
checked (more properly called "diced") hats. Some military and even
civilian bands maintained this distinction long after it had any basis
in reality, though the practice is now dying out.
4. Why do you sometimes
see one or more of the Drummers wearing a leopard skin?
This is likewise an old
British Army tradition. Strictly speaking, the privilege of wearing
the leopard skin was granted to specific Army regiments as a regimental
honour for meritorious service, usually in Africa. Because of this
background, the use of the leopard skin in civilian bands is in somewhat
dubious taste. (Note that modern bands usually do not use real leopard
skins but imitations, because of the endangered species acts).
5. Are there different
levels of pipe bands?
Pipe bands often compete
against each other at Highland Games or other contests. These contests
are offered under the auspices of the local Pipe Band Association, and
the exact rules differ between each Association. In most countries,
the Associations are national, but in the United States and Canada they
are regional. You can find some of these Associations on our links
page. In most of the world, there are 4 levels of pipe bands, from
Grade 1 (the highest level) to Grade 4 (essentially a training level).
In a few Associations in the United States, the levels are from Grade 1
(the highest level) to Grade 5. Essentially, these Associations have
split the Grade 4 training level into an upper and lower training level.
The preferred name for
the instrument is a Pipe or a Bagpipe. You can specify a particular
type of pipe by calling it a "Highland Bagpipe" or a "Uilleann Pipe", for
example. Some pipers will use the plural to refer to a single instrument
(pipes or bagpipes or a set of pipes), which is also considered acceptable.
Some of the other names you sometimes hear tend to annoy modern pipers,
especially if they include references to a "stand" of pipes.
7. What kind of instrument is
a Bagpipe?
The Bagpipe belongs to
the woodwind family. A bagpipe consists of a bag, a "chanter"
which carries the melody, and usually one or more "drones" which
play a chord. There is also some way to fill the bag, either with
a "blowpipe" which allows the piper to fill the bag by blowing into
it, or with a bellows which allows the piper to pump air into the
bag. On most types of bagpipe, the chanter uses a double reed similar
to an oboe or bassoon reed, and the drones each use single reeds that are
related to those used in a clarinet or saxophone. A few kinds of
bagpipe use double reeds for both the chanter and the drones. Each
drone uses a separate reed.
8. What is the bag made
from?
There are several kinds
of bags used by pipers. The traditional bag is made from sheepskin,
but other types include "elkhide" (which is actually a variety of cowhide)
and synthetic materials such as Gore-tex.
9. Are there
different kinds of Bagpipes?
There is a very wide variety
of pipes played throughout the world. The most popular is commonly
known as the Highland Pipe or the Irish War Pipe, or sometimes as just
the Great Pipe (Piob Mhor in Gaelic). Other kinds from Britain and
Ireland include the Scottish Small Pipes, the Irish Uilleann or Union Pipes,
and the Northumbrian Pipes. Nearly every culture in Europe and the
Middle East has a native bagpipe, though some have nearly died out.
For example, the Spanish play a type of bagpipe that they call a Gaita,
and the Italians have a pipe called a Zampogna. The different kinds
of pipe often have different numbers of drones and use different note fingerings
on the chanter. Some, such as the Northumbrian and the Uilleann pipe,
have a large number of keys on the chanter; others have few or none.
A few pipes, such as the Uilleann pipe, even have simple valves ("regulators")
on some of the drones to allow the piper to alter the chord of the drones
while playing.
10. Where were
Bagpipes first invented?
Nobody really knows.
The ancestral instrument clearly came from one of the ancient Mediterranean
civilizations, probably before 100 BC, and was carried throughout Europe
by the Romans. The earliest examples consist of just the "chanter"
portion, possibly with a companion "drone" tube, which was often played
by the technique of "circular breathing" to maintain a constant tone.
At some point, some unknown person got the idea that this could be made
easier by attaching the chanter to a bag with a blowpipe. Various
forms of pipes were played throughout Europe during the Middle Ages, until
modern orchestral instruments started to displace some of the older traditional
instruments about the time of the Renaissance. However the Bagpipe
continued to be played in rural and more isolated regions to this day.
11. Can you make
them play any louder or softer?
No, sorry. Most
pipes, including the Highland pipe, have no way to play at different volumes
without going off-pitch. A piper may set up the pipe beforehand to
accommodate the location, but you can't change the volume while you're
playing. This, combined with the fact that the bag produces a continuous
stream of air, produces a need to provide more emphasis on some notes than
others, and to separate different notes of the same pitch. Most such
effects (including "staccato" effects) are produced by fingering techniques,
which traditionally vary between the different kinds of pipe. The
exception to this is the Uilleann pipe, which allows the piper to close
off all of the holes in the chanter so that the chanter produces no sound.
All other pipes rely completely on "grace notes" or similar techniques
to separate notes and provide emphasis.
12. What kind
of pipe does a pipe band play?
Pipe bands almost invariably
play the so-called "Highland" or "Irish War" pipe; most other pipes
are played only by soloists. A few bands in Ireland play the "Brian
Boru" pipe, which is an adaptation of the Great Pipe that adds keys to
extend its range; and some bands in Brittany in France play the French
Biniou pipe along with Bombards, which are shawm-like instruments.
The Highland Bagpipe is
the most familiar kind of bagpipe. It has three drones, two tenor
drones each tuned one octave below the chanter, and one bass drone
tuned two octaves below the chanter. The drones on the Highland pipe
have no means for adjusting the pitch while playing, so they play a single
background chord. The scale on the chanter is adjusted to make it
blend against this constant chord. It is a mouth-blown pipe:
the piper blows into the bag through a blowpipe to supply the air.
A one-way valve in the blowpipe keeps the air from escaping.
14. What is the
history of the Highland Pipe?
The Highland pipe was
played by the Scottish army (and, later, Scottish regiments in the British
army) as more or less their equivalent of the bugle. It was also
played for dances and parties by both soldiers and civilians. The
Irish War Pipe was originally a similar instrument but had only two drones,
a single tenor and a bass. In more recent years, the use of the two-drone
pipe has nearly died out and today the terms "Highland Pipe" and "Irish
War Pipe" are used interchangeably to refer to the three-drone Great Pipe.
Like the Highland pipe, the Irish War Pipe became familiar to the rest
of the world because of its use in the British Army.
15. How much do
those things cost?
You can pay anywhere from
around $750 up to over $5000 for a new bagpipe. The cost will depend
on the maker and the amount of ornamentation. The more expensive
models tend to be heavily ornamented with a lot of silver and so forth;
this has no effect on the tone, it's purely for show. Some very nice
instruments can be found at the lower end of the scale, and you can often
get a bargain on a used pipe. You often see new bagpipes available
for under $500; these are almost always inferior instruments that
are never worth buying, especially if you're a beginner and don't
know what to look for or how to deal with setup problems. Sometimes
a good used pipe becomes available that is worth buying for that price
or less, especially if it has only cosmetic damage that does not affect
the tone or playability of the instrument. This is almost always
a better deal than trying to get by with a poor instrument.
16. What are
the names of some good makers of Highland Pipes?
This is a subject that
can cause a good deal of controversy even between top pipers. Some
of the most widely respected names of older pipe makers include MacDougall,
Henderson,
Glen,
Starck,
Robertson,
and Lawrie. None of these companies is still in business.
Some of the most respected modern makers include Naill,
MacLellan,
Kron,
and
MacCallum. Many other companies also make good instruments,
so this list should not be considered exhaustive. Also, many good
pipers find that some of the makes on this list would not be in their top
choices. Henderson, for example, made pipes with a very "big"
drone sound that is not to everyone's taste. If you're not sure what
you like, you should discuss such a choice with someone you know and trust
and also make a point of listening to a variety of instruments.
17. Are pipe
makers equally noted for their dones and chanters?
In general, no.
A few makers such as Naill are widely regarded as both excellent
drone and chanter makers; others, such as Henderson and Lawrie,
are noted primarily for their drones; and still others, such as Sinclair,
primarily for their chanters. Accordingly, it is not uncommon to
find a pipe whose chanter and drones are made by different makers, or to
find that a piper has more than one chanter to use in a single pipe.
18. What is meant
by "matched chanters?"
In a pipe band, it is
quite common to have all of the pipers play the same make and model of
chanter. There are several reasons for this:
Different brands of chanters
tend to tune at slightly different pitches. Standardizing on a single
chanter reduces tuning problems when setting up the band.
Many brands of chanters
respond differently to different reeds. Using a single make of chanter
makes it easier to select reeds for the members of the band.
Often a particular combination
of chanter and reed will have particular notes that tend to be sharp or
flat. Using matched chanters makes it somewhat easier know how to
adjust each chanter to bring it into tune.
The tonal quality of different
makes of chanters can vary, and matched chanters can make for a more "unified"
band sound.
19. Do bands
ever try to match both drones and chanters?
Many of the considerations
mentioned above for matched chanters also apply to drones. However,
matching drones has usually been considered less important than matching
chanters. A few bands have tried standardizing on a single make of
drones as well as chanters, but the vast majority (including most of the
top-level bands) make no attempt to standardize on a particular brand of
drones. In general, the drones are less problematic since they only
play a constant chord.
The best way to learn
to play the bagpipe is to start out on the practice chanter, an instrument
that looks much like a recorder. That way you can learn the fingerings
and embellishments without having to worry about keeping the bag going
steadily, which is a considerable distraction at first. It also means
that you don't have to make a big outlay on a pipe immediately. Good
practice chanters cost from about $45 to about $150, though there is little
advantage in buying one that costs more than about $75. Pipers continue
to use the practice chanter throughout their career, to do fingering exercises
and to learn new tunes. You can buy a practice chanter at any of
the Pipe Band supply stores; a few of them are given on our links
page.
21, Do I need anything
besides a practice chanter?
A good tutor book is very
helpful. I find Sandy Jones' "Beginning the Bagpipe" to be one of
the best available, and is the one that we use in the classes; Seumas
MacNeill's "College of Piping" tutor book is also good. A metronome
is also very useful, especially if you don't have much prior musical
experience. A portable tape recorder is also very helpful.
22. Can I teach
myself to play the bagpipe?
This is not recommended.
Many of the techniques used are unique to the pipes, and involve some fairly
intricate finger work that few beginners seem to be able to find for themselves,
even if they purchase a tutor book and tape. Moreover, if you ever
want to play with a band, proper technique is essential so that you are
able to play with the other pipers. It's much easier to learn it
correctly in the first place than it is to go back and fix later!
23. I can already
play several instruments, shouldn't I be able to pick up the pipe on my
own?
Read the answer to previous
question again. Because so many of the techniques are unique to the
pipe, very few beginners are able to reach an adequate level of
play on their own, even with prior musical experience. There are,
of course, distinct advantages to knowing other musical instruments (or
other musical experience, such as choral): reading music, learning
to keep proper time with other players or singers, listening for tuning,
and so forth.
24. Where can I
find lessons on the bagpipe?
Most pipe bands provide
some kind of teaching program for interested students. If you don't
know of a pipe band in your area, you can look at the lists of pipe bands
given on our links page. We hold regular
classes
in the Raleigh/Durham area of North Carolina, and welcome anyone who is
interested in learning. If you are not interested in playing with
a band, it can still be worthwhile to contact a local band to ask about
recommendations for teachers. Even if you don't think you ever want
to play with a band, most bands are quite happy to refer you to a private
instructor.
25. How long does
it take to learn to play the bagpipe?
That depends on how well
you want to play it! Generally, most beginners require at least 6
months on the practice chanter before they move onto the full pipe;
more is usually better. Once you move onto the pipe, it usually takes
several more months before you reach an adequate playing level on some
of the easier tunes. Some of the things that can affect how long
it will take an individual to learn to play include:
Age: Few
beginners younger than about 9 have large enough hands to play the chanter.
Teenagers will generally make the fastest progress, with young adults sometimes
not too far behind. Older adults tend to progress more slowly but
even then there are exceptions.
Previous musical experience:
Always a plus, even if you just know how to read music. Woodwind
players may find that they have to unlearn some old habits when playing
the pipe, though their previous experience is still helpful.
Motivation:
Obviously, the more motivated you are and the more you practice, the more
progress you will make.
Instruction:
Proper instruction will prevent the student from falling into bad habits
that must be unlearned.
Aptitude:
As in most areas, some people just seem to catch on quicker than others.
26. How do you move
from the practice chanter to the full pipe?
Most students do not move
directly from a practice chanter to the full pipe. Even if it's only
a pipe with the drones stopped up, most students find it best to move onto
the full pipe gradually. Stopping up the drones makes it somewhat
easier to keep the pipe going at first. Often a practice chanter
is used in the pipe instead of a pipe chanter (this is often called a "goose"),
or a "practice pipe" could be used. These are similar to a "goose"
but do not have the full drones, so that a full pipe still must be obtained
as well. Once the student is comfortable playing just the pipe chanter,
then the drones are added one at a time until you're playing the full pipe.
27. Do you have
to be male or Scottish or Irish to play the pipe?
No. The Great Pipes
are played in nearly every country of the world and by people of all ethnic
backgrounds. Countries as diverse as Germany, Jamaica, Jordan, Japan,
India, and China all have bands playing Highland pipes, often with adaptations
of their own music as well as traditional pipe music. The only advantage
that you might have by being Scottish or Irish is that you may be more
familiar with some of the musical styles used on the pipes before learning
the instrument. Likewise, many women are quite accomplished pipers.
Hopefully these old stereotypes are dying out!
28. Doesn't that
thing take a lot of air? It looks like it must be a lot of work!
It can, or it can be very
easy. I've seen 10-year-old girls and 75-year-old grandmothers playing
the Highland pipe. It's all in how you set them up; the
grandmother wasn't playing a pipe that was as hard as one that a strong
25-year-old man might play! The big problem isn't in the physical
effort involved, but in learning how to set up the pipe for your
playing strength and learning the coordination of blowing and squeezing
at the same time to keep the tone steady. This is a little like rubbing
your stomach and patting your head at the same time; it takes quite
a bit of practice at first to get the hang of it. It also uses some
muscles that most people are not accostomed to using much. Fortunately
almost everyone who isn't severely disabled can learn with practice.
The main difficulty with learning the pipes isn't with the physical effort
required but with the fingering technique, which you learn on the practice
chanter.
There are 3 kinds of drums
normally played in a Pipe Band: the Side Drum, which is related
to the snare drums found in a brass band; the Tenor Drum,
which is a drum about the size of the Side Drum but without snares and
played with mallets rather than sticks; and the Bass Drum,
which is the large drum that makes the "heartbeat" of the band.
30. Isn't the Side Drum just an
ordinary snare drum?
No, though it's closely
related. The Side Drum as played in a pipe band uses two sets of
snares (an upper set and a lower set) as opposed to a single set
of snares used on a typical snare drum. A "snare" is a band of wires
and beads that make the sound of the drum sharper than just a simple drum
head. The drum heads on a Side Drum are also much tighter than the
heads on many snare drums, so that the sound is much "sharper" than most
snares.
31. I can play the
snare drum, how hard is it to learn the Side Drum?
Like the Snare Drum, the
Side Drum uses "rudimental" drumming techniques. This means that
the drumming technique is built up from a set of standard "rudiments" like
a flam, a roll, and so forth. Many of these techniques transfer directly
from the Snare Drum to the Side Drum, however rolls used on the Side Drum
are almost always "closed" rolls rather than the "open" rolls used on the
Snare Drum. The drum scores played on the Side Drum also tend to
be more ornamented than those usually played on the Snare Drum, and have
a much more "pointed" and syncopated style than typical Snare Drum scores.
However previous experience on the Snare Drum is very helpful when
learning the Side Drum.
32. What do I need
to buy to learn the Side Drum?
A drumming student needs
to buy a set of drum sticks and a practice pad. These will cost a
total of about $40-60. The drumsticks commonly used for the Side
Drum are heavier than those usually used for a Snare Drum, but ordinary
Snare Drum sticks are perfectly acceptable for learning. These can
be purchased at any good music supply store or from one of the stores that
provide Pipe Band supplies. The links page
has references to some of our favorite Pipe Band supply stores.
33. How long does
it take to learn the Side Drum?
If you have previous experience
on the Snare Drum and a good aptitude for the drum, you may be able to
pick up the Side Drum in 6 months or less. If you have no previous
drumming experience, count on as much as a year or more before you are
ready to play with a band. As in anything else, it is impossible
to make a general statement because of differences in aptitude, amount
of practice and motivation, and so forth.
34. Where can I
learn to play the Side Drum?
As with learning the bagpipe,
most pipe bands have some kind of teaching program for prospective drummers.
If you do not know of a pipe band in your area, you can check our links
page for some of the pipe band lists. We offer classes
on the Side Drum in the Raleigh/Durham area of North Carolina, and welcome
any prospective students.
The Tenor Drum is a drum
that looks much like the Side Drum (often slightly larger) but has no snares
and is played with mallets rather than sticks. There are two styles
of playing the Tenor Drum: Flourishing Tenor and Rhythm Tenor.
The former puts more emphasis on twirling the mallets and only occasionally
hitting the drum head; the latter puts more emphasis on using the
mallets to complement the rhythm of the Bass Drum.
36. How would I
learn the Tenor Drum?
As with the other instruments,
most pipe bands have some policy for providing instruction on the Tenor
Drum. Our drumming classes do not teach the Tenor Drum but we are
quite happy to arrange instruction for students interested in learning
the Tenor Drum.